Download PDF The Confessions of Nat Turner, by William Styron
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The Confessions of Nat Turner, by William Styron
Download PDF The Confessions of Nat Turner, by William Styron
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From Library Journal
Styron's 1967 Pulitzer Prize-winning novel depicting the leader of a slave revolt is the latest offering in Random's "Modern Library." This is the least expensive hardcover edition of Turner currently available.Copyright 1994 Reed Business Information, Inc.
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From the Inside Flap
In the late summer of 1831, in a remote section of southeastern Virginia, there took place the only effective, sustained revolt in the annals of American Negro slavery...The revolt was led by a remarkable Negro preacher named Nat Turner, an educated slave who felt himself divinely ordained to annihilate all the white people in the region.The Confessions of Nat Turner is narrated by Nat himself as he lingers in jail through the cold autumnal days before his execution. The compelling story ranges over the whole of Nat's Life, reaching its inevitable and shattering climax that bloody day in August. The Confessions of Nat Turner is not only a masterpiece of storytelling; is also reveals in unforgettable human terms the agonizing essence of Negro slavery. Through the mind of a slave, Willie Styron has re-created a catastrophic event, and dramatized the intermingled miseries, frustrations--and hopes--which caused this extraordinary black man to rise up out of the early mists of our history and strike down those who held his people in bondage.
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Product details
Series: Modern Library
Hardcover: 480 pages
Publisher: Modern Library; Reissue edition (August 9, 1994)
Language: English
ISBN-10: 0679601015
ISBN-13: 978-0679601012
Product Dimensions:
5 x 1.3 x 7.5 inches
Shipping Weight: 15.8 ounces
Average Customer Review:
4.0 out of 5 stars
204 customer reviews
Amazon Best Sellers Rank:
#1,702,083 in Books (See Top 100 in Books)
I bought this book thinking it would provide additional details of Nat Turner's rebellion, and then learned that no one possesses detailed documentation of that time. Doesn't matter. I disagree with the criticism that the book is racist. If one were to take only those criticized passages and read them out of context, then yes, one could think Nat Turner's sexual fantasies were written as part of a racist stereotype. But, I think the critics miss the point. The fantasies illustrate the white attitude towards Nat that he is less than a man. When a beautiful young white woman interacted with Nat Turner as if he were an innocent child, and not a man, the fantasies lept to his mind without his control. I think this is part of Styron's strategy in imagining the myriad psychological effects slavery had on a person. Besides, the author doesn't have Nat going off and intentionally daydreaming sexual fantasies. Turner's intentional thoughts are more lofty. The point, I think was to show that he is a normal man, not treated as such by those in power. That is why he hates the women so much when these feelings emerged. But, really, these are minor passages in the book, compared to everything else used by the author to convey what the life of a slave might have been like.I immersed myself in the style and feeling of this book, just as much as I noted story details, which we must remember were mostly developed in Styron's mind, in order to present the oppression of slavery permeating the psychology, society, and culture of everyone in that time setting. Often, Nat finds himself traded for oxen when he works temporarily on another farm. Even white characters portrayed as the nicer slave owners verbalize the insulting attitudes, indicating that they are kind to animals. Thus twisted message of their attitude towards the rank of black people becomes clear. There can never be kindness in an institution that allows one person to own another, simply as a beast of burden. As a result, justification emerged among whites, as a psychological defense, that the institution was required, based on racial superiority. Whether the white person considered himself a benevolent master, providing housing and food in return for work, or whether the white person was a sadist towards any human under his control, the fact remained that both types of whites believed that black people were so incapable of taking care of themselves that generally they had to be owned! That is the message that was conveyed to me through Styron's imaginative interpretation of circumstances that would have driven Nat Turner to take the actions he did. The attitudes of all whites, and of the culture, conveyed this message, and it was not surprising that some victims of the horrors of slavery were then driven to murderous rage.I thought the book was a masterpiece. Let yourself become immersed in the feelings generated through the author's story telling, and remember that generating these feelings is the intent of the author, because very little is actually known about Turner's individual life. What a horrific, sad legacy in our history, this idea that one human being could legally be owned by another. This book makes sure we do not forget.
I love this book - it makes me very uneasy though to praise it. Today's sensitive racial climate suggests that only a black man can write fiction about a black man's life. James Baldwin disagreed, but at the same time the enormity of the injustices almost compels a veto on the idea. However, this probably makes the book a singular experience, and one I value very much.
This is a tough one to review. Due to the subject, it is very difficult for one, in this day, to separate the book from the fact that it was written by a white Southerner. Obviously, this issue has been central to public discourse about it, as Styron himself acknowledges in the Afterword.Ultimately though, one has to judge the book on its own merits, right? Without question, Styron writes well. His prose is enjoyable to read in this as well as his other books. In historical fiction, though, characterization and authenticity are important. And the choices he makes for his (version of the) protagonist are questionable. Perhaps predictably, my big questions center on those choices that invited the most controversy in the book's early days. Namely, is there any reason to throw in a homosexual incident? It doesn't seem to fit the character we're watching. Would an educated Nat really have had rape fantasies about a white woman? Is the implication that it's in his nature?You see? One is immediately drawn into the socio-political issues. They're hard not to think about. But here's an even more challenging question. Would I (or anyone else) object to the choices made had Styron's friend James Baldwin made them? I feel like I end up projecting my own take on slavery and race relations onto the book, including all the baggage that comes with that. Unfortunately, that makes this review so subjective as to be not very valuable. As a sidebar, I wonder if this book has come to be seen as ground zero for the intellectual movement against so-called cultural appropriation?For what it's worth, I'd recommend reading the book.
I have always known about Nat Turner and the slave revolt. He and his men are a story of courage, who give their lives to battle an ocean of injustice, only to end up removing only a few capfuls of its bitter water.The author's account of the deeds of Nat Turner are fact. but the narrative of his slave life, focused on the physical, emotional, sexual, spiritual, psychological, biological and moral aspects of this being, fluctuates between fact and fiction, and has generated both positive and negative responses to his work.Besides his elaborate focus on the slave leader, the author tells a second important story--that of slave owners and their dependents. The author, an admitted southerner and descendent of slave owners, brings first hand knowledge of the strengths and weaknesses of both groups, as well as the slave system in the U.S., which, I believe, gives credibility to this important work.
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